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' burnt Japanese cedar ' [1]) is a traditional, very old Japanese method of wood preservation. [ 2 ] [ 3 ] [ 1 ] It is referred to in the West as burnt timber cladding and is also available as shou sugi ban ( 焼杉板 ) , a term which uses the same kanji characters, but an alternative pronunciation .
Daisugi (台杉) is a Japanese technique related to pollarding, used on Cryptomeria (sugi) trees. [1] [2] [3] The term roughly translates to "platform cedar". [4] When applied in a silviculture context, the daisugi method requires trunks to be pruned every 2–4 years in order to maintain the straight, clear grain that they are coveted for. [5] [6]
Images in books were almost always in monochrome (black ink only), and for a time art prints were likewise monochrome or done in only two or three colors. The text or image is first drawn onto thin washi (Japanese paper), called gampi, then glued face-down onto a plank of close-grained wood, usually a block of smooth cherry. Oil could be used ...
The King Wolf, pyrography on olive wood by Roberto Frangioni Piroritrattista Framàr. Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1]
Burning of the Character Big, on Mount Myōjō, in the Hakone Mountains The Character Big, on Mount Nyoi, in Kyoto. The Burning of the Character "Big" (大), also known as Daimonjiyaki (Japanese: 大文字焼き) or Daimonji Festival is the Japanese Buddhist ritual of burning wood in the character "Big" (大), typically in the mountain, on the last day of the 4-day Bon Festival to send back to ...
[3] [1] In 1989, he embarked on a ten-year project to recreate 100 images from Katsukawa Shunsho's 1775 Hyakunin isshu poetry book. [ 4 ] He is known for his work on the Ukiyo-e Heroes kickstarter crowd-funding project together with Jed Henry, recreating modern videogame scenes in ukiyo-e style with traditional woodblock techniques.
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Baren (馬連、馬楝) listen ⓘ is a disk-like hand tool with a flat bottom and a knotted handle used in Japanese woodblock printing. It is used to burnish (firmly rub) the back of a sheet of paper, lifting ink from the block.