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The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). [1]
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]
Vanitas still life with skull, playing cards, candle and flowers. Vanitas paintings are informed by a Christian understanding of the world as a temporary place of ephemeral pleasures and torments from which humanity's only hope of escape is through the sacrifice and resurrection of Christ. While most of the symbols in Vanitas still lifes ...
Vanitas (1646) by Philippe de Champaigne. Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé , in Le Mans, which bought it at a public auction in 1884. [1] [2]
Vanitas-Still Life, 1668, Kunsthistorisches Museum. Through the use of symbolic elements, her paintings reflect themes commonly found in Dutch still life of the 17th-century, such as vanity, impermanence, and the obligation to devote oneself to God.
In the 1660s, Gijsbrechts abandoned the pure vanitas still life paintings by integrating the vanitas motifs into increasingly complex trompe l'oeil compositions, which depict studio walls, letter racks (the notice boards of the era), board walls with hunting implements and musical instruments and "chantournés" (cut-outs).