When.com Web Search

  1. Ads

    related to: vanitas still life artwork

Search results

  1. Results From The WOW.Com Content Network
  2. Vanitas - Wikipedia

    en.wikipedia.org/wiki/Vanitas

    The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal. It was a sub-genre of painting heavily employed by Dutch painters during the Baroque period (c.1585–1730). [1]

  3. Still Life: An Allegory of the Vanities of Human Life - Wikipedia

    en.wikipedia.org/wiki/Still_Life:_An_Allegory_of...

    The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]

  4. Carel Fonteyn - Wikipedia

    en.wikipedia.org/wiki/Carel_Fonteyn

    Vanitas still life with skull, playing cards, candle and flowers. Vanitas paintings are informed by a Christian understanding of the world as a temporary place of ephemeral pleasures and torments from which humanity's only hope of escape is through the sacrifice and resurrection of Christ. While most of the symbols in Vanitas still lifes ...

  5. Vanitas (Champaigne) - Wikipedia

    en.wikipedia.org/wiki/Vanitas_(Champaigne)

    Vanitas (1646) by Philippe de Champaigne. Vanitas, also known as Allegory of Human Life or Still Life with a Skull, is an oil on panel painting attributed to Philippe de Champaigne, from 1646. It is held in the musée de Tessé , in Le Mans, which bought it at a public auction in 1884. [1] [2]

  6. Maria van Oosterwijck - Wikipedia

    en.wikipedia.org/wiki/Maria_van_Oosterwijck

    Vanitas-Still Life, 1668, Kunsthistorisches Museum. Through the use of symbolic elements, her paintings reflect themes commonly found in Dutch still life of the 17th-century, such as vanity, impermanence, and the obligation to devote oneself to God.

  7. Cornelis Norbertus Gijsbrechts - Wikipedia

    en.wikipedia.org/wiki/Cornelis_Norbertus_Gijsbrechts

    In the 1660s, Gijsbrechts abandoned the pure vanitas still life paintings by integrating the vanitas motifs into increasingly complex trompe l'oeil compositions, which depict studio walls, letter racks (the notice boards of the era), board walls with hunting implements and musical instruments and "chantournés" (cut-outs).