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Jauchzet, frohlocket! Auf, preiset die Tage (Shout for joy, exult, rise up, praise the day), [1] BWV 248 I (also written as BWV 248 I), [2] is a 1734 Christmas cantata by Johann Sebastian Bach that serves as the first part of his Christmas Oratorio.
The closing chorale is the fifth stanza of "Nun lob, mein Seel, den Herren", added to Johann Gramann's hymn in Königsberg in 1549. [2] Bach used the same stanza in a different setting to close his cantata Wir danken dir, Gott, wir danken dir, BWV 29. [6] Bach led the performance on 17 September 1730. [2]
Shout for joy, O daughter Jerusalem! Behold: your king is coming to you, a just savior is he, Humble, and riding on a donkey, on a colt, the foal of a donkey.") At the proclamation of Jehu as King of Israel in 2 Kings 9 :11-13, "in haste every man of them took his garment and put it under him on the bare steps, and they blew the trumpet and ...
Over the years, publication of this hymnal moved from Manchester to Liverpool, and finally to Salt Lake City in 1890. As more hymns were added, the book grew from 323 pages in 1840 to 456 pages in the 1905 edition. However, it was still a words-only hymnal; the tunes were sung from memory or by referencing a tune book alongside the hymnbook. [1 ...
Many hymns are modelled after Psalm 47. [24] They include the English The Universal Sovereignty of Christ with the incipit "Rejoice, ye people, homage give", published in 1902, [24] and the German "Völker aller Land", written by Georg Thurmair in 1964 and revised 1971, when it was selected to appear in the German Catholic hymnal Gotteslob of ...
Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach.It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier.
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
"The Hymn of Joy" [1] (often called "Joyful, Joyful We Adore Thee" after the first line) is a poem written by Henry van Dyke in 1907 in being a Vocal Version of the famous "Ode to Joy" melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.