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English: This text is a representative example from the collection of Mongolian manuscripts in the Bavarian State Library. It is a Buddhist manuscript produced in the Beijing style, in which a sheet has been inserted in both the upper and lower cover.
The Daur Mongol scholar Urgunge Onon published the first translation into English by a native Mongolian in 1990, based on a 1980 Inner Mongolian version by Eldengtei. This was republished as The Secret History of the Mongols: The Life and Times of Chinggis Khan in 2001. A further English translation by Christopher P. Atwood appeared in 2023.
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Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka.
Balduugiin "Marzan" Sharav (1869 – 1939, Mongolian: Балдугийн 'Марзан' Шарав; marzan = facetious), was a Mongolian painter.. He is often credited with the introduction of modern painting styles to Mongolia, but his most famous work, One day in Mongolia (Mongolian: Mongolyn neg ödör), is done in a more traditional zurag style.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality.
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The most striking artifacts of ancient Mongolian sculpture are deer stones (called “буган чулуу” (bugan chuluu) in Mongolian), which are widespread in the regions of the Mongolian Altai ridge and Khangai mountains. The art of depicting deer on stones, popular in Western Eurasia and Central Asia during the Bronze Age, belongs to ...