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On Wings of Song" (German: "Auf Flügeln des Gesanges"), Op. 34, No. 2, MWV K 86, is a piece by Felix Mendelssohn, the second of his "six songs for voice and piano" (Opus 34-2, 1834). [1] It is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine published in his Buch der Lieder in 1827.
Violin Solo Sonata No. 1 (1940) -dedicated to Ruggiero Ricci- (I. Praeludium con bravura; II. Cantabile; III. Allegro) Philip Glass "Strung Out", for solo amplified violin (1967) "Knee Play 2", violin solo from Einstein On The Beach; Partita for solo violin (2010/11) -dedicated to Tim Fain- (I. Opening; II. Dance 1; III.
Three Études for piano, Op. 104b (1834–1838) No. 1 Étude in B-flat minor; No. 2 Étude in F major; No. 3 Étude in A minor; Album-leaf (Albumblatt) in E minor for piano, Op. 117, "Lied ohne Worte" (1837) Capriccio in E major for piano, Op. 118 (1837) Perpetuum Mobile in C major, Op. 119; 3 Fugues [1] No. 1 Fugue in D minor; No. 2 Fugue in D ...
Felix Mendelssohn set it to music as the second of his "six songs for voice and piano" (Opus 34-2, 1834). [1] [2] Franz Liszt arranged On Wings of Music for solo piano (S. 547). His song has been translated into other languages and has been adopted in school music textbooks for China, Japan and Korea. Other settings include that by Franz Lachner.
"Auf Flügeln des Gesanges", On Wings of Song (Mendelssohn), 1834 song Arrangement by Franz Liszt for solo piano (S. 547) "Auf Flügeln des Gesanges", setting of the poem by Franz Lachner. On Wings of Song, 1979 science fiction novel by Thomas Disch; Love Me Forever, also released as On Wings of Song, 1935 American drama film
Sonata for violin and piano (1946) Sonata for violin solo (1977; revised 1992) Sonatina for violin and piano (1979) [from the opera Pollicino] Paul Hindemith. Sonatas for violin solo, and four with piano; C. René Hirschfeld. Sonata concertante for violin and piano (2006) Vagn Holmboe. Violin Sonata No. 1, M. 82, 1935; Violin Sonata No. 2, M ...
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The solo violin takes the chorale melody while the orchestra and the piano play counterpoint underneath. Following the chorale, an exploration of various keys occurs with the piano playing double octaves while the solo violin playing difficult double-stops. Again, the chorale melody is reintroduced, this time in D major.