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According to Gaudiya Vaishnava tradition, this text's central mantra, known as the Hare Krishna, or Mahā ("Great"), Mantra, was given in the 16th century to Chaitanya Mahaprabhu at his initiation in Gaya (though the Sanskrit mantra is absent from his biographies). [3] This mantra, presented in two lines, contains the words Hare, Rama, and Krishna.
The Yogini Tantra is a 16th- or 17th-century tantric text by an unknown author from either Assam or Cooch Behar [1] and is dedicated to the worship of Hindu goddesses Kali and Kamakhya. Apart from religious and philosophical themes, this voluminous tantra contains some historical information.
Mantras are all enshrined in Vedic literature. These are various to the four yugas, and the Hare Krishna mahamantra is to kali yuga. [1] The Hare Krishna mantra is composed with the three names of the supreme power: Hare, Krishna, and Rama. [2] [3] [4]
There is a colloquial saying that "Shiva without Shakti is Shava" which means that without the power of action (Shakti) that is Mahakali (represented as the short "i" in Devanagari) Shiva (or consciousness itself) is inactive; Shava means corpse in Sanskrit and the play on words is that all Sanskrit consonants are assumed to be followed by a ...
Bhadrakali (IAST: Bhadrakālī; lit. ' auspicious Kali ' [2]) is an important Hindu goddess, a form of Kali.She is considered to be the auspicious and fortunate form of Adi Shakti or Durga, the supreme mother who protects the good, known as Bhadra or Bhadra Bhagavathy.
Gantakarana Mantra Stotra is a Sanskrit text associated with him which has 71 verses and is used as a mantra as well as hymn. It was composed in later half of the 16th century by a little known Jain monk Vimalachandra who was a disciple of Sakalachandra, a disciple of Tapa Gaccha monk Hiravijaya Suri. There are other Gantakarna Mantras as well. [1]
Maha-mantra Hare Krishna in Devanagari script. A mantra is a sacred utterance. The most basic and known it among the Krishnaites—Mahā-mantra ("Great Mantra")—is a 16-word mantra in Sanskrit which is mentioned in the Kali-Saṇṭāraṇa Upaniṣad: [116] [117]
Tripundra lines on a dancer. After a traditional invocation, Sage Sanatkumara requests Kalagni Rudra to explain the application of the Tripundra, a sectarian mark in the form of three lines of vibhuti (sacred ash), and to enlighten him on the specifications of the material used, the procedure to prepare it, the place from where it is to be procured, and its beneficial effects.