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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
DADGAD tuning (listen) D-A-d-g-a-d' DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music. Among the first to use this tuning were the folk-blues guitarists of the '60s like Bert Jansch, John Renbourn, Martin Carthy, and John Martyn.
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The guitar is a transposing instrument; that is, music for guitars is notated one octave higher than the true pitch.This is to reduce the need for ledger lines in music written for the instrument, and thus simplify the reading of notes when playing the guitar.
Al Petteway was an American guitarist known primarily for his acoustic fingerstyle work [1] both as a soloist and with well-known folk artists such as Amy White, Tom Paxton, Jethro Burns, Jonathan Edwards, Cheryl Wheeler, Debi Smith, Bonnie Rideout, Maggie Sansone and many others.
The tuning provides freedom to improvise in the treble, while maintaining a solid underlying harmony and rhythm in the bass—though it restricts the number of readily playable keys. While guitarists used "non-standard" or "non-classical" tunings before this (e.g., open E and open G in common use by blues and slide guitar players) DADGAD ...