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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.
An MP3 coded with MPEG-2 results in half of the bandwidth reproduction of MPEG-1 appropriate for piano and singing. A third generation of "MP3" style data streams (files) extended the MPEG-2 ideas and implementation but was named MPEG-2.5 audio since MPEG-3 already had a different meaning. This extension was developed at Fraunhofer IIS, the ...
An audio codec, or audio decoder is a device or computer program capable of encoding or decoding a digital data stream (a codec) that encodes or decodes audio. [1] [2 ...
MP3+G (MP3 plus Graphics) is a karaoke file format that was created to allow CD+G karaoke to be played from a personal computer easily and quickly. MP3+G was created from the combination of the MP3 audio file (the CD audio is converted and compressed to MP3) and a raw CDG file which contains the RW subchannels from the CD+G track.
"Differences" was written by Ginuwine along with Troy Oliver, while production was helmed by the latter. [3] In an interview with Blogcritics, Ginuwine commented on the background to the track: "That song was really during a time when I was going through a depressed state because of my dad and my mom had passed.
A notable exception is MP3 files, which are raw audio coding without a container format. De facto standards for adding metadata tags such as title and artist to MP3s, such as ID3 , are hacks which work by appending the tags to the MP3, and then relying on the MP3 player to recognize the chunk as malformed audio coding and therefore skip it.
mp3PRO is an unmaintained proprietary audio compression codec that combines the MP3 audio format with the spectral band replication (SBR) compression method. At the time it was developed it could reduce the size of a stereo MP3 by as much as 50% while maintaining the same relative quality. [1]