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Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
Elegy is a composition by Igor Stravinsky for solo viola composed in 1944. It was dedicated to the memory of Alphonse Onnou, the founder of the Pro Arte Quartet. The score bears no time signature, but the metronome marking sets the tempo at = 56. The opening section is in the style of a chant above a rippling accompaniment.
This article lists notable compositions within the viola repertoire. The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.). The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.).
P Luis de Pablo (1930–2021) Anatomías for viola solo, 2 clarinets, horn, trombone and harp (2005–2007); Edizioni Suvini Zerboni Ex voto for violin and viola (1995); Edizioni Suvini Zerboni Monólogo for viola solo (1990–1992); Edizioni Suvini Zerboni Giorgio Pacchioni (b. 1947) Baroquefantasy No. 2 for viola and piano (1996); Ut Orpheus Edizioni Niccolò Paganini (1782–1840) Caprice ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, and Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument ...
Free scores by Alessandro Rolla at the International Music Score Library Project (IMSLP) Rolla String Trio No.1-Sound-bites & Biography at Edition Silver Trust; Gems Music Publications, a source for several Rolla scores, including the complete viola duets, viola solo works, some violin-viola duets, and viola concerti.
To Be or Not to Be (1942); music also by Werner R. Heymann; Five Graves to Cairo (1943) Sahara (1943) So Proudly We Hail! (1943); music also by Edward Heyman; The Woman of the Town (1943) Dark Waters (1944) Double Indemnity (1944) The Hour Before the Dawn (1944) Blood on the Sun (1945) Lady on a Train (1945) The Lost Weekend (1945) The Man in ...
While helping Primrose to write his memoirs, Dalton suggested that the HBLL could preserve Primrose's papers. After meeting with library officials in 1974, the Primrose Viola Archive was established in 1979 when Primrose agreed to donate his viola sheet music and memorabilia to the library to start a national-scale viola archive. [2] [4]