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Refectories vary in size and dimension, based primarily on wealth and size of the monastery, as well as when the room was built. They share certain design features. Monks eat at long benches; important officials sit at raised benches at one end of the hall. A lavabo, or large basin for hand-washing, usually stands outside the refectory.
From Veronese's mature phase, it was one of a series of monumental "Feasts" for monastery refectories of monasteries in Venice – The Wedding at Cana for San Giorgio Maggiore (now in the Louvre) and another The Feast in the House of Simon the Pharisee for Santi Nazaro e Celso (now in Turin) were earlier works in the series. [2]
In its original use, one or more refectory tables were placed within the monks' dining hall or refectory.The larger refectories would have a number of refectory tables where monks would take their meals, often while one of the monks read sacred texts from an elevated pulpit, [2] frequently reached from a stone staircase to one side of the refectory.
The Feast in the House of Simon the Pharisee is a c.1565 oil-on-canvas painting by Veronese, now in the Galleria Sabauda, in Turin.. The work was commissioned by the monks of Santi Nazaro e Celso in Verona for their refectory [1] It was one of a series of monumental "Feasts" for monastery refectories of monasteries in Venice - The Wedding at Cana for San Giorgio Maggiore (now in the Louvre ...
The new abbot, however, worked to revitalize the functioning of the monastery by ordering the separation of the abbatial and monastic refectories, stipulating that the resident monks should never be less than twelve (while the lay brothers should be at least three in number), that a chapter should be held every May 1 to elect a prior with an ...
Lorch was a fortified monastery, surrounded by a rampart and stone wall with round towers. The wall as it still stands was built in the 13th century to expand the area of the monastery. It was renovated in the early 16th century. The eastern gate once had a tower, gatehouses and a moat with a drawbridge. [3]
The internal walls were covered in whitewashed plaster, layout centred on two cloisters (named after Saint Antoninus and Saint Dominic), with the usual conventual features of a chapter house, two refectories and guest quarters on the ground level. On the upper floor were the friars' cells, small walled enclosures overarched by a single trussed ...
The monastery complex includes the main church with its bell tower, the large main guesthouse, with guest rooms overlooking a wide panorama from Vesuvius, Capri and Ischia; 16 monastic cells, each with bathroom, heat and telephone; two refectories; meeting and reading room; library; conference room :— all surrounded by cultivated kitchen gardens.