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Sarah Lee Guthrie (born February 17, 1979) and Johnny Irion (born John Phillip Irion; [1] February 3, 1969) were a musical duo. Guthrie and Irion were married on October 16, 1999, [ 2 ] and began performing together as an acoustic duo in late 2000, performing together until they divorced in the mid-2010s.
Bright Examples is the fifth studio album by husband and wife duo Sarah Lee Guthrie & Johnny Irion.Their previous album Go Waggaloo was recorded for children, so Bright Examples is their first release in the folk and Americana genre.
Lilith Fair was a concert tour and travelling music festival, founded by Canadian musician Sarah McLachlan, Nettwerk Music Group's Dan Fraser and Terry McBride, and New York talent agent Marty Diamond. It took place during the summers of 1997 to 1999, and was revived in the summer of 2010.
Genre: Contemporary folk music and other genres: Venue: Fort Adams State Park: Location(s) Newport, Rhode Island, U.S.: Coordinates: Years active: 1959–1960, 1963 ...
2006 - Klezmatics - Woody Guthrie's Happy Joyous Hanukkah (album) - (This album is a mix of Woody Guthrie covers, posthumous collaborations and Klezmatics instrumentals.) [16] [17] 2008 - Jonatha Brooke - The Works (album) [18] 2009 - Sarah Lee Guthrie and Family - Go Waggaloo - 3 of the 13 songs on this album have lyrics written originally by ...
Here’s the setlist for night 3 of the tour, which resumes Oct. 25-27 in New Orleans, moves on to Indianapolis Nov. 1-3 and ends in Canada, with shows Nov. 14-23 in Toronto and Dec. 6-8 in Vancouver.
The festival was sponsored by Rheingold Breweries until 1968, when the task was handled by F. & M. Schaefer Brewing Company. [1] The cost of the annual music festival was about $500,000, and admissions, at $1 per person in 1968, were expected to bring in $250,000 to $270,000 for the summer program, leaving a deficit, picked up by Schaefer, of more than $200,000.
Dallas City Limits was a live music venue and nightclub located at 10530 Spangler Road in Dallas, Texas. It played an important role in the Dallas music scene from the late-1980s until its closure in the mid-1990s. Its demise was due to the growing popularity in grunge music and the decline in metal.