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Undertow is a 1949 American film noir crime film directed by William Castle and starring Scott Brady, John Russell, Dorothy Hart and Peggy Dow. A young Rock Hudson has a supporting role, his second film appearance and the first in which he is named in the credits. [1] Brady plays a former Chicago mobster who is accused of murdering his old boss.
Two O'Clock Courage is a 1945 American film noir directed by Anthony Mann and written by Robert E. Kent, based on a novel by Gelett Burgess. The drama features Tom Conway and Ann Rutherford . [ 1 ] It is a remake of Two in the Dark (1936).
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
A Turner Classic Movies expert shares his top picks.
The Big Clock is a 1948 American film noir thriller directed by John Farrow and adapted by novelist-screenwriter Jonathan Latimer from the 1946 novel of the same title by Kenneth Fearing. The black-and-white stars Ray Milland and Charles Laughton, with Maureen O'Sullivan, George Macready, Rita Johnson, and Elsa Lanchester.
The full film. A young woman named Janet Stewart is anticipating the arrival of her husband and attempts to check into a hotel. They are meeting after years apart and have planned to meet at the hotel. During his military service he was presumed dead, but actually was a prisoner of war. Unfortunately, her cable requesting the reservation never ...
Laura is a 1944 American film noir produced and directed by Otto Preminger.It stars Gene Tierney and Dana Andrews, along with Clifton Webb, Vincent Price, and Judith Anderson.
Nocturne is a 1946 American film noir starring George Raft and Lynn Bari, with Virginia Huston, Joseph Pevney, and Myrna Dell in support. Directed by Edwin L. Marin, the film was produced by longtime Alfred Hitchcock associate Joan Harrison, scripted by Jonathan Latimer, and released by RKO Pictures. [2]