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Ari Renaldi is an Indonesian music producer, composer, arranger, sound and mixing engineer, music director and musician. His production credits include Mocca, Tulus, Vidi Aldiano, Raisa Andriana, Afgan, Yura Yunita, Sezairi Sezali, Maudy Ayunda, Rossa, Ungu, Juicy Luicy, Yovie & Nuno amongst many others.
A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
Muhammad Tulus (born 20 August 1987), better known by his mononym Tulus, is an Indonesian singer and songwriter of Minangkabau descent. [5] [6] Career. Albums
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
Gajah (Elephant) is the second studio album by Indonesian singer-songwriter Tulus.The album was released on February 19, 2014, by Demajors. The album occupied the eighth position in iTunes Indonesia in July.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
Tulus is the debut studio album by Indonesian recording artist Tulus. The album was produced by Ari Renaldi and released by Tulus Record in September 2011. It also launched by Demajors. The album contains 10 songs, including "Merdu Untukmu", "Diorama", and "Sewindu".
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]