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With mass migration the tradition has been carried with the emigrants (both voluntary and forced migrations) all over the world and "Scottish Trad" is now played around the world. Key performers in the USA include Alasdair Fraser , Hanneke Cassel , Ed Pearlman, Bonnie Rideout , John Turner , Elke Baker , Melinda Crawford , Colyn Fischer , and ...
James Scott Skinner's gravestone, Allanvale Cemetery. James Scott Skinner (5 August 1843 – 17 March 1927) was a Scottish dancing master, violinist, fiddler and composer.He is considered to be one of the most influential fiddlers in Scottish traditional music, and was known as "the Strathspey King".
Today the sons and daughters of his pupils are coming to the fore in schools music in Shetland, while Aly Bain and many others have achieved fame world-wide. Pupils who remember him recall that he could be cantankerous and excitable at times but also kind, funny, patient, tolerant – an absolute inspiration.
Metis fiddling can be described as the incorporation of First Nations, Scottish, and French-Canadian rhythms, but with a unique Metis beat. [2] David Chartrand (president of the Manitoba Métis Foundation) was interviewed in a 2006 documentary by John Barnard, and emphasizes that the Métis fiddle tradition is an oral tradition [3] which cannot be taught in school.
The National Records of Scotland attest that Gow himself used the name 'Neil'. [4] To add to the confusion, he had a musical grandson (by Nathaniel) who did spell his name "Neil". The annual Niel Gow Fiddle Festival takes place in Dunkeld and Birnam, Perthshire, Scotland. It was established in 2004 to celebrate the life and music of Gow ...
Catriona Macdonald (born 1969 or 1970) is a fiddler, composer, researcher, and lecturer from Shetland, located some 320 km (200 miles) north of the Scottish mainland.She is considered to be among the world's leading traditional fiddle players, and one of the top exponents of the Shetland fiddle, a branch of traditional music with clear connections to the music of Scotland, but which features ...
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In the late 19th century Gaelic revival the instruments used differed greatly from the old wire-strung harps. The new instruments had gut strings, and their construction and playing style was based on the larger orchestral pedal harp. Nonetheless, the name "clàrsach" was and is still used in Scotland today to describe these new instruments.