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Boss settled on a complex design for a distortion pedal, with a dual-stage gain circuit, seven filters for both pre- and post-distortion, and a semi-parametric three-band EQ section. In a retrospective, Premier Guitar described the MT-2 as "literally the hottest piece of gear in the guitar world" upon its 1991 release. [ 3 ]
Boss MT-2 Metal Zone. The MT-2 Metal Zone was released in 1991, following the discontinuation of the earlier HM-2, which failed to sell well during its production run, but was popular among death metal players. With the MT-2, Boss sought to appeal to that market with an improved pedal as death metal's popularity surged. [26]
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.
It was designed to emulate the mid-range response of a Marshall stack. [2] The HM-2 is based on Boss's DS-1. Despite achieving moderate success in the glam metal scene, the pedal was discontinued in 1991; it was succeeded by the HM-3 Hyper Metal and MT-2 Metal Zone, the latter of which became a commercial success and top-selling Boss pedal. [2]
Boss is a brand used for products geared toward guitar players, and is used for guitar pedals, effects units, rhythm and accompaniment machines, guitar amplifiers, and portable recording equipment. Edirol was a line of professional video-editing and video-presentation systems, as well as portable digital audio recorders .
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave, resulting in a heavily distorted or fuzzy sound.