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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Other foot pedals of that year are the GE-10 (a graphic equalizer), the BF-1 (a flanger unit) and the DB-5 (a distortion unit). Boss's line of compact pedals began in 1977 with the release of six pedals, all of them discontinued: an overdrive pedal (OD-1), a phaser pedal (PH-1), a parametric equalizer called the Spectrum (SP-1), a 6-band ...
The Pro Co "The RAT" is a distortion pedal produced by Pro Co Sound. The original RAT was developed in the basement of Pro Co's Kalamazoo, Michigan facility in 1978. [ 1 ] Numerous variations of the original RAT pedal are still being produced today; it has become one of best selling guitar effects boxes of all time, with some retailers placing ...
The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [ 1 ] it has become a classic effect, used by many notable guitar players.
Ibanez Tube Screamer TS808. The Ibanez Tube Screamer is an overdrive pedal made by Ibanez.First developed by Maxon as a competitor to the Boss OD-1, it was sold outside of Japan under the Ibanez brand and became popular among guitarists for its characteristic mid-boosted tone and amp-like distortion.
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack , it became associated with Swedish death metal and gained a cult following in the heavy metal scene .
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MXR Bluebox (reissue model), an octafuzz producing octave down tones. The Boss OC-2 unit generates tones at one and two octaves down from the input signal. This effect also uses flip-flops to generate square waves at 1/2 and 1/4 of the input signal frequency, but rather than simply mixing in these signals, it uses them to invert the polarity of ...