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The Indian peacock feathers are used in many rituals and ornamentation and its motifs are widespread in architecture, coinage, textiles and modern items of art and utility. [31] Indian peacock motifs are widely used even today such as in the logos of the NBC television network and the Sri Lankan Airlines. [101] [102]
Peter Hunt (born Frederick Lowe Schnitzer; 1896 in East Orange, New Jersey – 1967 in Cape Cod), was an American artist whose work is described as folk art or primitive art. He gained recognition for his art in the 1940s and 1950s when his decorated, refinished furniture was featured in magazines such as Life, House Beautiful, and Mademoiselle ...
The Peacock Throne (Hindustani: Mayūrāsana, Sanskrit: मयूरासन, Urdu: تخت طاؤس, Persian: تخت طاووس, Takht-i Tāvūs) was the imperial throne of Hindustan. The throne is named after the dancing peacocks at its rear and was the seat of the Mughal emperors of India from 1635 to 1739.
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Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
Robert Taylor was born in Tulsa, Oklahoma, in 1951 [1] and lived there his entire life, other than his time in the Navy starting in 1970. Although Taylor has sometimes been described as having Blackfoot, Cherokee, Osage, and Black Dutch ancestry; [1] he is described by the Smithsonian National Museum of the American Indian as being "non-indian".