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The music video for "Heads Will Roll" was directed by Richard Ayoade, and premiered on NME.com on May 26, 2009. [8] It features the band playing in a (presumably) underground venue when a dancing werewolf whose dancing is reminiscent of Michael Jackson (who died four days before the single was released and 30 days after the music video premiered) appears on stage.
"Heads Will Roll", song by Marion Raven from Set Me Free (Marion Raven album) "Heads Will Roll" ( Under the Dome ) , episode of television series Under the Dome Heads Will Roll (podcast) , 2019 audio production by Audible
Intensities in 10 Cities is the second live album by the American guitarist Ted Nugent, released in 1981 and consisting of ten songs recorded during the last ten dates of Nugent's 1980 tour. Nugent played two or three new songs every night on the tour and told audiences he was recording them for possible inclusion in a new live album featuring ...
The B-side of the 7-inch single is "Heads Will Roll" and the B-sides of the 12-inch single are an expanded version called "Heads Will Roll (Summer Version)" and "The Original Cutter". While Hugh Jones produced the A-side, the B-sides were produced by Ian Broudie under the pseudonym Kingbird.
"Some Heads Are Gonna Roll" is a song by the English heavy metal band Judas Priest. It was originally released on their 1984 studio album, Defenders of the Faith , and issued as a single later that year.
The episode featured cover versions of five songs, including a dance performance of "California Gurls" by Katy Perry and a mash-up of Michael Jackson's "Thriller" with "Heads Will Roll" by the Yeah Yeah Yeahs. Series creator Ryan Murphy had considered using the episode as a musical tribute to Jackson. The performances were met with mixed ...
Jelly Roll talks about where his name came from and love of doughnuts in a new Dunkin' ad to celebrate National Doughnut Day.
Alain Macklovitch (born March 30, 1982), known professionally as A-Trak, is a Canadian DJ, record producer, and record executive.He came to prominence in the late 2000s as an international club DJ and remix artist, known for incorporating highly technical turntable skills and scratching into his genre-spanning work.