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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Chitralekha is a slim volume with a narrative that is woven around a love story, and reflects on various aspects of human life. The story commences with a dialogue between the revered hermit Ratnakar (रत्नाकर) and his disciples, Shwetaank (श्वेतांक) and Vishaldev (विशालदेव), discussing the sins of humanity.
[29] [30] According to reports of Ethnologue (2022, 25th edition), Hindi is the third most-spoken language in the world when including first and second language speakers. [31] Hindi is the fastest-growing language of India, followed by Kashmiri, Meitei, Gujarati and Bengali, according to the 2011 census of India. [32]
A story on how extremist education destroys the harmony of society. A vivid description by Premchand of social issues in the 1920s "Lekhak" (Hindi) "Adeeb ki Izat" (Urdu) A story of a writer who wanted respect and recognition for his work but later realised that he is a candle that will have to burn, giving light to others.
Hindustani, the lingua franca of Northern India and Pakistan, has two standardised registers: Hindi and Urdu.Grammatical differences between the two standards are minor but each uses its own script: Hindi uses Devanagari while Urdu uses an extended form of the Perso-Arabic script, typically in the Nastaʿlīq style.
Hindustani is extremely rich in complex verbs formed by the combinations of noun/adjective and a verb. Complex verbs are of two types: transitive and intransitive. [3]The transitive verbs are obtained by combining nouns/adjectives with verbs such as karnā 'to do', lenā 'to take', denā 'to give', jītnā 'to win' etc.
Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the modern Meera. [2]
The story appears in Indian textbooks, and its adaptions also appear in moral education books such as The Joy of Living. [5] The story has been adapted into several plays and other performances. Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6]