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C. N. Liew (Chinese: 刘庆伦; pinyin: Liu Qing Lun) (born 1975) [1] is a Malaysian Chinese painter and calligrapher based in Hong Kong. His artwork was also the first Chinese calligraphy collected by the Malaysian Royal Palace. [2] He is also an alumnus of Chong Hwa Independent High School, Kuala Lumpur. In celebration of Chong Hwa's Schools ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
His style of regular script, often called Yan script (Yanti 顏體), brought Chinese calligraphy to a new realm, emphasizing strength, boldness, and grandness. Like most of the master calligraphers, Yan Zhenqing learned his skill from various calligraphers, and the development of his personal style can be basically divided into three stages.
The First National Congress of the Chinese Calligraphers' Association convened in the Great Hall of the People in Beijing from May 5 to May 9, 1981. Shu Tong was appointed as the inaugural president of the Chinese Calligraphers Association. [3] It comprises 16 professional committees.
Print/export Download as PDF; Printable version; ... Pages in category "Chinese calligraphy" The following 36 pages are in this category, out of 36 total.
Nowadays, uniquely colourful Malaysia-themed lanterns such as wau, aladdin lamps, goldfish and durian are also available. Another common practice among Malaysians that use crafted papers is the burning of paper models of material items for the deceased. Malaysian Chinese still very strongly following this tradition, especially among the Taoists ...
Semi-cursive script, also known as running script, is a style of Chinese calligraphy that emerged during the Han dynasty (202 BC – 220 AD). The style is used to write Chinese characters and is abbreviated slightly where a character's strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. [2]
Munjado is a Korean decorative style of rendering Chinese characters in which brush strokes are replaced with representational paintings that provide commentary on the meaning. [2] The characters thus rendered are traditionally those for the eight Confucian virtues of humility, honor, duty, propriety, trust, loyalty, brotherly love, and filial ...