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A typical Morris wallpaper in the 1870s required as much as four weeks to manufacture, using thirty different printing blocks and fifteen separate colours. [7] The wallpapers of Morris were regarded as strange and excessive for most wealthy Victorians, who preferred the more geometric and traditional French styles.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Ingrain wallpaper was invented by German pharmacist Hugo Erfurt in 1864; marketed by the company his grandfather founded, it was first used as a decoration for shop windows, but began seeing use as a wallpaper from the 1920s on as well. Ingrain wallpaper is the most commonly used type of wallpaper in Germany.
In his lifetime, he was best known as a poet, although by the late twentieth century he was primarily known as a designer of wallpapers and fabrics. [286] He was a major contributor to the revival of traditional British textile arts and methods of production. [288] Morris's ethos of production was an influence on the Bauhaus movement. [289]
His first design was jasmine trail or jasmine trellis (1868–70), based on a similar wallpaper design he had made in 1862. [4] In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and ...
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).