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The development of white-ground vase painting took place parallel to that of the black- and red-figure styles. In the course of that development, five sub-styles can be noted: Raging maenad by the Brygos Painter. She holds a thyrsos in her right hand, her left is swinging a panther through the air. A snake is winding through the diadem in her hair.
The paint is usually not fused to the flat glass by firing, but if it is, it is still called "stained glass". Glass painting or glass painter might refer to either technique, but more usually enamelled glass. It may also refer to the cinematic technique of matte painting, which is a type of painted representation of landscape. There is benefits ...
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes .
Beth Cohen in her publication Attic Bilingual Vases and Their Painters, [9] produced a definitive study of the bilingual vase form. She closely observed certain details, drawing styles, themes, compositions, and preferences in order to establish artistic personalities, a chronology of the vases, and the relationship of the scenes to one another.