Search results
Results From The WOW.Com Content Network
The important place of women in dance can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start.
The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance.
The choreography was adapted from court dance steps. [4] Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. [5] Early ballet was participatory, with the audience joining the dance towards the end. Domenico da Piacenza (c. 1400–c. 1470) was one of the first dancing masters.
Nautch dancers in Old Delhi, c. 1874 Nautch dancer in Calcutta, c. 1900 A Raja awaits the arrival of Nautch dancers A Nautch girl performing, 1862. The nautch (/ ˈ n ɔː tʃ /, meaning "dance" or "dancing" from Hindustani: "naach") [1] was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. [2]
Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Some dance historians imagine that these court dances by high officials were more like a restrained "stylized walk". [1] However, enamel plaques on the Monomachus Crown, sent by the Byzantine Emperor to Hungary in about 1050, show courtly women dancing, with their hands over their head and one leg pulled back sharply behind them. They are shown ...
The choreography was adapted from court dance steps. [6] Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. [7] Early ballet was participatory, with the audience joining the dance towards the end. Domenico da Piacenza was one of the first dancing masters
Bedhaya dance performance at the wedding of Hoesein Djajadiningrat and Partini in the palace of Prang Wedono (Mangkoe Negoro VII), the father of the bride, at Solo, Java, in January 1921. The dance is held in a pendhapa, a pillared audience hall with a peaked roof, with the Susuhunan on a throne in the middle of the room. The dance is performed ...