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The song follows the chord progression of G–A–Bm in the first line, when Madonna sings Holiday!, and changes to G–A–F ♯ m–G in the second line, when she sings Celebrate!. [10] The chord sequence has been compared to that of Cyndi Lauper's "Time After Time" (1984). [5]
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Melody has similar chord progression to the 1932 Cole Porter jazz standard, "Night and Day." Toni Braxton: 2001 Debuted and peaked at No. 11 on Billboard 's Holiday Airplay chart on the week ending December 8, 2001. [168] "Christmas Time Is Here" (2) Ray Parker Jr. 1982 Re-issued in 1984 as the B-side of Parker's top 40 pop hit single, "Jamie".
In jazz, the ii is typically played as a minor 7th chord, and the I is typically played as a major 7th chord (though it can also be played as a major 6th chord). The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and ...
The song is performed in the key of G ♭ major with a tempo of 134 beats per minute in common time.It follows a chord progression of G ♭ sus2 – B ♭ m 7 – C ♭ (add 2) – D ♭ sus, with a key change to A ♭ major for the last two choruses.