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On the right is chamfered bolt-on quartersawn Mahogany neck and Mahogany body. Both necks have carbon reinforcement strips. Neck-through-body (commonly neck-thru or neck-through) is a method of electric guitar construction that combines the instrument's neck and core of its body into a single unit. This may be made of a solid piece of wood, or ...
The first dedicated loop device was the Paradis LOOP Delay. [6] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...
Set-through neck (or Set-thru neck) is a method of joining the neck and the body of guitar (or similar stringed instrument), effectively combining bolt-on, set-in and neck-through methods. It involves: A pocket in the instrument's body for insertion of neck, as in bolt-on method. However, the pocket is much deeper than usual one.
Grantis' primary instrument is a custom private stock PRS guitar. It is based on a Mira semi-hollow, with a Korina body, gold mirror pick guard and headstock, maple neck and whammy bar. [16] Her purple PRS CE 22, which she has used extensively in performances and recording sessions, is named "Elektra".
The Hipshot B-Bender, developed by David Borisoff, also mounts to the tailpiece end of the guitar without requiring any modifications. A lever extends behind the guitar and rests against the player's body. The bender is activated by moving the whole guitar against the player's body. [7] The Hipshot is used by Will Ray of the Hellecasters.
The JamMan is an audio looping device manufactured by Lexicon in the mid-1990s. The idea for the JamMan began with modifications Gary Hall had devised for the Lexicon PCM-42 that allowed him to play into a long, looping delay whose clock could be synchronized to an external source.