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Better to reign in hell than serve in heaven (John Milton, in Paradise Lost) [8] Be yourself; Better the Devil you know (than the Devil you do not) Better to have loved and lost than never to have loved at all; Better to light one candle than to curse the darkness; Better to remain silent and be thought a fool than to speak and remove all doubt ...
In other projects Wikidata item; ... Today, Tomorrow, Forever may refer to: Today, Tomorrow, Forever (Nancy Wilson album) Today, Tomorrow, Forever (Corey Paul album) ...
Jam tomorrow (or the older spelling jam to-morrow) is an expression for a never-fulfilled promise, or for some pleasant event in the future, which is never likely to materialize. Originating from a bit of wordplay involving Lewis Carroll 's Alice , it has been referenced in discussions of philosophy, economics, and politics.
"Today, Tomorrow and Forever" is a song by American country music singer Patsy Cline. It was released as a single in 1957 via Decca Records and was composed by Don Reid. It was the follow-up release to Cline's major hit of 1957, " Walkin' After Midnight ."
Today, Tomorrow, and Forever may refer to: "Today, Tomorrow and Forever" (Elvis Presley song), a song by Elvis Presley from the 1964 film Viva Las Vegas; Today, Tomorrow, and Forever (Elvis Presley album), a 2002 compilation album; Today, Tomorrow, and Forever (Patsy Cline album), a 1985 compilation album "Today, Tomorrow and Forever" (Patsy ...
In other projects Wikidata item; ... Today, Tomorrow, Forever is a 1964 album by Nancy Wilson. [1] ... "Our Day Will Come" (Mort Garson, ...
The Biden campaign responded on Thursday by airing a commercial "reminding voters about what their lives actually looked like four years ago: March Madness canceled, stockpiling toilet paper ...
Tomorrow Is Forever is a 1946 American romantic drama film directed by Irving Pichel, adapted by Lenore Coffee from Gwen Bristow's 1943 serialized novel of the same name. [3] Starring Claudette Colbert , Orson Welles , and George Brent , it was the film debut of both Richard Long and Natalie Wood .