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A school newspaper published using a ditto machine in 1978 A hand-cranked spirit duplicator from the 1960s. The duplicator uses two-ply "spirit masters", also called "master sheets". The first sheet can be typed, drawn, or written upon. The second sheet is coated with a layer of wax that had been impregnated with one of a variety of colorants.
Stencil-based machines Mimeograph (also Roneo, Gestetner) Digital Duplicators (also called CopyPrinters, e.g., Riso and Gestetner) Typewriter-based copying methods Carbon paper; Blueprint typewriter ribbon; Carbonless copy paper; Photographic processes: Reflex copying process (also reflectography, reflexion copying)
Produce wax patterns: Although called wax patterns, pattern materials may also include plastic and frozen mercury. [6] Wax patterns can be produced in one of two ways. In one process, the wax is poured into the mould and swished around until an even coating, usually about 3 mm (0.12 in) thick, covers the inner surface of the mould.
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[citation needed] The second sheet was coated with a layer of colored wax. The pressure of writing or typing on the top sheet transferred colored wax to its back side, producing a mirror image of the desired marks. (This acted like a reverse of carbon paper.) The wax-supply sheet was then removed and discarded, and the other sheet (containing ...
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Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.
A mimeograph machine (often abbreviated to mimeo, sometimes called a stencil duplicator or stencil machine) was a low-cost duplicating machine that worked by forcing ink through a stencil onto paper. [1] The process was called mimeography, and a copy made by the process was a mimeograph.