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The violin is unusual in that it produces frequencies beyond the upper audible limit for humans. [18] The fundamental frequency and overtones of the resulting sound depend on the material properties of the string: tension, length, and mass, [3] as well as damping effects [12] and the stiffness of the string. [19]
Forget the Night Ahead is the second studio album by Scottish indie rock band The Twilight Sad, released by FatCat Records on 22 September 2009 in the US, and on 5 October 2009 in the UK.
Valse triste (literal English translation: Sad Waltz), Op. 44/1, is a short orchestral work by the Finnish composer Jean Sibelius.It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play Kuolema (Death), but is far better known as a separate concert piece.
Közi said he had a hard time getting the sound of a real violin with his synth guitar. He described the violin part at the chorus as having a medieval European feel. [3] Wanting "Seraph" to sound unlike any other band out there, Közi said Malice Mizer added a lot to the song, and as a result it is the thickest sounding song on the album. [3]
The “forms” here do not refer to musical forms but sound effects. Penderecki’s biographer Wolfram Schwinger associates the title Polymorphia , with “the broadly deployed scale of sound...the exchange and simultaneous penetration of sound and noise, the contrast and interflow of soft and hard sounds.” [ 3 ] Similar to Threnody to the ...
Here, It Never Snowed. Afterwards It Did is a mini-album [7] by Scottish indie rock band The Twilight Sad, released on 9 June 2008.At an acoustic performance promoting the record, singer James Graham noted that the band could have released another single from Fourteen Autumns & Fifteen Winters but ultimately decided to release a fresh batch of recordings instead.
The poem uses several stylistic devices and is in many ways typical of Verlaine, in that it employs sound techniques such as consonance (the repetition of "n" and "r" sounds) that also creates an onomatopoeic effect, sounding both monotonous and like a violin. [2]
Ferdinand for speaker and solo violin (1971) Little Sad Sound, a melodrama for narrator and double bass (1974) String Quartet No. 1 (1985) String Quartet No. 2 (1987) String Quartet No. 3 (1987) Seascapes: six easy pieces for viola or cello and piano (1990) Dance Preludes for double bass or cello and piano (1992) String Quartet No. 4 Malden (1992)