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Pterocarpus macrocarpus, or Burma padauk, [3] is a tree native to the seasonal tropical forests of southeastern Asia: in Myanmar, Laos, Cambodia, Thailand, and Vietnam. [ 2 ] [ 4 ] [ 5 ] It has been naturalized in India and the Caribbean.
The padauk found most often is African padauk from P. soyauxii which, when freshly cut, is a very bright red/orange but when exposed to sunlight fades over time to a warm brown. Its colour makes it a favourite among woodworkers. Burmese padauk (ပိတောက်) is P. macrocarpus while Andaman padauk is P. dalbergioides.
Pterocarpus indicus (commonly known as Amboyna wood, Malay padauk, Papua New Guinea rosewood, Philippine mahogany, Andaman redwood, Burmese rosewood, narra [3] (from Tagalog [4]) and asana in the Philippines, angsana, or Pashu padauk) is a species of Pterocarpus of the Sweet Pea Family (Papilionaceae) native to southeastern Asia, northern Australasia, and the western Pacific Ocean islands, in ...
Pterocarpus dalbergioides, the Andaman padauk, Andaman redwood or East Indian mahogany, is a species of flowering plant in the family Fabaceae. It is sometimes called "narra" , but this is just a generic term used for any of several Pterocarpus species.
Padauk wood is sturdier than teak and is widely used for furniture making. There are burr wood and buttress root formations in Andaman Padauk. The largest piece of buttress known from Andaman was a dining table of 13 ft × 7 ft (4.0 m × 2.1 m). The largest piece of burr wood was made into a dining table for eight.
Padauk blooms only one day each year during Thingyan and is popularly known as the "Thingyan flower". Large crowds of revellers, on foot, on bicycles and motorbikes, and in trucks, will do the rounds of all the mandat, some making their own music and most of the women wearing thanaka and padauk.
Buddha images from the last days of the Burmese monarchy followed a style with a broad band across the forehead and tight curly hair with a prominent ushnisha. Images also returned to various materials including alabaster and bronze. This style was retained through the period of British colonialism. [29] Parabaik of royal activities, 1870s–1880s
Hand-colored studio portrait of a woman in Burma, ca. 1910. Myanmar Photo Archive (MPA; Burmese: မြန်မာဓာတ်ပုံမော်ကွန်းသည်, romanized: myanmardharatpone mawkwann sai) is both a physical archive of photographs taken between 1889 and 1995 in Myanmar (Burma), and a public awareness project of the country's visual culture.