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Henry Purcell (/ ˈ p ɜːr s əl /, rare: / p ər ˈ s ɛ l /; [n 1] c. 10 September 1659 [n 2] – 21 November 1695) was an English composer of Baroque music, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas; and his incidental music to a version of Shakespeare's A Midsummer Night's Dream called The Fairy Queen.
Dioclesian (The Prophetess: or, The History of Dioclesian) is an English tragicomic semi-opera in five acts by Henry Purcell to a libretto by Thomas Betterton based on the play The Prophetess, by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian.
Z 580, Incidental Music, Henry the Second, King of England (1692) Movement 1, Song, "In vain, 'gainst Love, in vain I strove" Z 581, Incidental Music, The History of King Richard the Second or The Sicilian Usurper (1681) Movement 1, Song, "Retir'd from any mortal's sight" Z 582, Incidental Music, Love Triumphant or Nature Will Prevail (1693)
Dido and Aeneas (Z. 626) [1] is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate.The dates of the composition and first performance of the opera are uncertain.
Come Ye Sons of Art, Z.323, [a] also known as Ode for Queen Mary's Birthday, is a musical composition by Henry Purcell. It was written in 1694, and is one of a series of odes in honour of the birthday of Queen Mary II of England. [1] The text of the ode is often attributed to Nahum Tate, who was poet laureate at the time.
The Fairy-Queen (1692; Purcell catalogue number Z.629) is a semi-opera by Henry Purcell; a "Restoration spectacular". [1] The libretto is an anonymous adaptation of William Shakespeare's comedy A Midsummer Night's Dream. [2] First performed in 1692, The Fairy-Queen was composed three years before Purcell's death at the age of 35. Following his ...
Nymphs and Shepherds" is a song by the English composer Henry Purcell, from the play The Libertine by Thomas Shadwell. [1] When the play was first performed, in 1675, the accompanying music was by William Turner. Purcell's music was first used in either 1692 or 1695; the musicologist Ian Spink has concluded that the latter year is the more ...
"Rejoice in the Lord alway" (c. 1683–1685), Z. 49, sometimes known as the Bell Anthem, is a verse anthem by Henry Purcell. It was originally scored for SATB choir, countertenor, tenor and bass soloists, and strings, though it is also sometimes performed with organ replacing the strings. [1]