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The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Black, Wine Red, Cherry Red, Natural. The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958. It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin -style f-holes cut into the top over the ...
A dreadnought acoustic guitar with laminated spruce top, available also as an acoustic/electric with built-in pickup and pre-amp and a third version adding built-in tuner, with 20 frets, 25.3" scale length, 1.69" width at nut, 2.24" width at heel and 3.94"–4.92" body depth. A 3/4 scale "Starcaster Colt" acoustic guitar.
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan. The first guitar to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since. It was considered the premier guitar of the company ...
The Gibson J-160E is one of the first acoustic-electric guitars produced by the Gibson Guitar Corporation. The J-160E was Gibson 's second attempt at creating an acoustic-electric guitar (the first being the small-body CF-100E [2]). The basic concept behind the guitar was to fit a single-pickup into a normal-size dreadnought acoustic guitar.
The Gibson ES-339 is the descendant of the ES-335. It is made from a solid maple center block and maple laminate top, back and sides. It is smaller than the ES-335, closer to the size of a Les Paul model. In terms of electronics, the ES-339 differs from the ES-335 with the use of what Gibson calls the Memphis Tone Circuit.