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Nokukwane- This bow was obtained by the Korana people and the Tswana people are the only Bantu people who use it. The bow is simple however, its arc is more pronounced that the other bows. [5] Other musical instruments: The Tswana drum (moropa), antelope horn (lepapata), and leg rattles (mathlo) are most often used during group dancing.
The ekwe comes in a variety of sizes and designs; the size is determined according to the purpose. An ekwe can be used for traditional cultural events, or it can be used for music. The ekwe is also used as a type of talking drum communicating, in the past, with others at long distances. Ekwe players use different rhythms for different purposes ...
A two-headed drum like dhah or dhimay, about 14" long x 7" diameter, used in rituals, known as 'Seeh Bajan' (funeral drum), to proclaim news in ancient times ("In the Malla period"). "Mainly played by the Khadgis." [6] [21] [28] Kadgis: Possible Naya-Khin drums and chhusya cymbals at performance of Gunla Bajan religious music at Kathmandu ...
Tswana folk music has instruments such as Setinkane (a Botswana version of miniature piano), Segankure/Segaba (a Botswana version of the Chinese instrument Erhu), Moropa (Meropa -plural) (a Botswana version of the many varieties of drums), and phala (a Botswana version of a whistle used mostly during celebrations, which comes in a variety of ...
Three kinds: a barrel drum, an hourglass drum and a goblet drum. Not pitched but tone can be changed with wax on drumhead Timbal: Brazil Unpitched 211.251.1 Membranophone Timbales: Cuba Unpitched 211.212.2 Membranophone Timpani: Pitched 211.11-922 Membranophone Also called kettle drums Tingsha: Tibet Unpitched 111.142 Idiophone Tom-tom drum ...
A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions.
African drums (35 P) Pages in category "African percussion instruments" The following 14 pages are in this category, out of 14 total.
One drummer plays the "call" rhythm on the Shauro drum, while the other responds with the "response" rhythm on the Tsinhiro drum. Within traditional Shona indigenous belief systems, music in ceremonial settings is thought to create an environment that facilitates trance ( vanonyaunyawa ), allowing individuals to be possessed by ancestral ...