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The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
Triptych 1991 1991 Catalogue Raisonné Number 91-02 Oil and Aerosol Paint on Canvas 198 x 147.5cm (78 x 57 in) Museum of Modern Art, New York City Bacon's last triptych, features formula one driver Ayrton Senna, José Capelo, [15] as well as a self-portrait of Bacon.
Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning ...
After the death of Jacques in 1986 and of Natasha in 1998, the triptych was bequeathed to the Metropolitan along with 80 other works from the couple's $300m collection of modern art . [3] An edition of 150 colour lithographs was published by Éditions de la Différence in Paris in 1981, printed by Arts Litho and signed in pencil by the artist.
Museum of Modern Art, New York Departure is an oil-on-canvas triptych by German artist Max Beckmann begun in Frankfurt in 1932 and completed in Berlin from 1933 to 1935. It was the first of nine triptychs that the artist created.
As well as being Bacon's first large format triptych, Three Studies for a Crucifixion introduced the later and often repeated visual motif a human body turned inside out. This idea was drawn from a long tradition in art history, and was influenced strongly by Rembrandt's Side of beef and Chaïm Soutine's Carcass of Beef. [5]