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Stained Glass- an Illustrated History, Bracken Books, ISBN 1-85891-157-5; Painton Cowen (1985). A Guide to Stained Glass in Britain, Michael Joseph, ISBN 0-7181-2567-3; Husband, TB (2000). The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560, Metropolitan Museum of Art; Lawrence Lee, George Seddon, and Francis Stephens (1976).
Roots of Knowledge is a permanent stained glass display completed in 2016 at Utah Valley University (UVU) in Orem, Utah, United States. The creation of the exhibit was designed and overseen by stained glass artists Tom Holdman and Cameron Oscarson. It took over 12 years and cost US$4.5 million to complete.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The Glass Art Association of Canada and Artists in Stained Glass later became enthusiastic collaborators as the gallery concept evolved to also incorporate glass, stained glass, and enamel works. Calgary, Halifax, North York, Victoria, and Waterloo were investigated and evaluated as potential sites for the national gallery.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
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