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"Devil in the Bottle" is a song written by Bobby David and recorded by American country music artist T. G. Sheppard. It was released in October 1974 as his debut single and the first from his album T. G. Sheppard , and reached number one on the U.S. country singles chart.
In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones). [1] For instance, the interval from F up to the B above it (in short, F–B) is a tritone as it can be decomposed into the three adjacent whole tones F–G, G–A, and A–B.
Coltrane changes in C: I–V/ ♭ VI ♭ VI–V/III III–V I. 6: Major Eight-bar blues: I–V–IV–IV–I–V–I–V: 3: Major Folia: i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i–V–i– ♭ VII– ♭ III– ♭ VII–i–V–i: 4: Minor Irregular resolution (Type I: Two common tones, two note moves by half step motion) V7 ...
A rock or pop guitarist or keyboardist might literally play the chords as indicated (e.g., the C major chord would be played by playing the notes C, E and G at the same time). In jazz , particularly for music from the 1940s bebop era or later, players typically have latitude to add in the sixth, seventh, and/or ninth of the chord.
The tritone scale, C D ♭ E G ♭ G(♮) B ♭, [12] [unreliable source?] is enharmonically equivalent to the Petrushka chord; it means a C major chord ( C E G(♮) ) + G ♭ major chord's 2nd inversion ( D ♭ G ♭ B ♭). [13]
A typical UOGB concert according to the New York Times is a "genre bending array" of musical covers that spans from Richard Wagner's The Ride of the Valkyries to the Sex Pistols’ Anarchy in the U.K. [21] [47] The Chicago Tribune reports that the orchestra is "happy to pillage anything from the rich pageant of western music" as it roams freely ...
For example, the E–G ♯ –c–e–g ♯ –c' M3 tuning repeats its octave after every two strings. Such repetition further simplifies the learning of chords and improvisation; [73] This repetition results in two copies of the three open-strings' notes, each in a different octave. Similarly, the B–F–B–F–B–F augmented-fourths ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...