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Robert E. Wood (born 22 May 1971) is a Canadian fine artist and author. He specializes in representational landscape paintings, which focus on the Rocky Mountains, lakes, rivers and forests of Alberta and British Columbia. Wood's diverse subject matter also includes street scenes, still life and floral subjects, among others. He has been ...
Robert William Wood (March 4, 1889 – March 14, 1979) was an American landscape painter. [1] He was born in England, emigrated to the United States and rose to prominence in the 1950s with the sales of millions of his color reproductions. [ 2 ]
The List of painters in the National Gallery of Art is a list of the named artists in the National Gallery of Art, Washington, D.C. whose works there comprise oil paintings, gouaches, tempera paintings, and pastels. The online collection contains roughly 4,000 paintings by 1,000 artists, but only named painters with the previously mentioned ...
American artist who began painting just as the Hudson River School was winding down. He studied at the National Academy of Design under Bierstadt and de Haas, and maintained studios in Clifton Park, New York, and New York City, where he painted in oils and watercolors. He completed more than 130 paintings, including several works in black and ...
Gather Ye Rosebuds While Ye May is an oil painting on canvas created in 1909 by British Pre-Raphaelite artist John William Waterhouse. It was the second of two paintings inspired by the 17th century poem " To the Virgins, to Make Much of Time " by Robert Herrick which begins:
List of paintings by Frédéric Bazille; List of paintings by Arnold Böcklin; List of paintings by Hieronymus Bosch; List of paintings by Sandro Botticelli; List of works by François Boucher; List of paintings by Eugène Boudin; List of paintings by Valentin de Boulogne; List of paintings by Ford Madox Brown; List of paintings by Pieter ...
This painting depicts an earlier point in the tale of the Lady of Shalott than those depicted by Waterhouse in his previous two works of 1888 and 1894; the Lady is still confined in her tower, weaving a tapestry, viewing the world outside only through the reflection in the large mirror in the background.
The painting is inspired by Lord Byron's 1816 poem The Dream [2] and depicts the Romantic poet on his travels taking a rest by a ruined temple and dreaming his future poem. [3] It refers specifically to lines 114–122 of the poem, and may have inspired Turner's own later work Childe Harold's Pilgrimage (exhibited in 1832), based on another of ...