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Asmat Bis Poles from New Guinea, Indonesia. A Bisj, Mbis or Bis pole is a ritual artifact created and used by the Asmat people of South-western New Guinea, Indonesia. They are also common in New Zealand, Vanuatu (formerly the New Hebrides). [1] When a village has experienced a number of deaths a Bisfeast is held.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
Totem poles were less common in Coast Salish culture than with neighboring non-Salish Pacific Northwest Coast peoples such as the Haida, Tsimshian, Tlingit, and Kwakiutl tribes. It wasn't until the twentieth century that the totem pole tradition was adopted by the northern Coast Salish peoples including the Cowichan, Comox, Pentlatch, Musqueam ...
The American Museum of Asmat Art is a gallery exhibiting the art and culture of the Asmat people of southwestern Papua, Indonesia, housed at the University of St. Thomas in St. Paul, Minnesota. [1] Featuring more than 2,200 objects, it is one of the largest of its kind in the United States. [ 2 ]
Tlingit totem pole in Juneau, Alaska. The totem poles of the Pacific Northwestern Indigenous peoples of North America are carved, monumental poles featuring many different designs (bears, birds, frogs, people, and various supernatural beings and aquatic creatures). They serve multiple purposes in the communities that make them.
A ceremonial pole is a stake or post utilised or venerated as part of a ceremony or religious ritual. Ceremonial poles may symbolize a variety of concepts in different ceremonies and rituals practiced by a variety of cultures around the world. In many cultures, ceremonial poles represent memorials and gravemarkers.
Thunderbird House Totem Pole, Stanley Park, Vancouver, British Columbia, Canada Tony Hunt Sr. OBC RCA (24 August 1942 – 15 December 2017) was a Canadian First Nations artist noted for his KwaGulth style paintings and totem poles, which he carved from single cedar logs.