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The era of revolution in Indonesia made many Indonesian painters shift from romantic themes to tend toward "populist". Objects related to the natural beauty of Indonesia were considered a theme that betrayed the nation, because they were considered to be a curse on the capitalists who were enemies of the popular ideology of communism at that time.
Fransiskus Xaverius Basuki Abdullah (born Muhammad Basuki Abdullah, 25 January 1915 – 5 November 1993) was an Indonesian painter and a convert to Roman Catholicism from Islam. [1]
Bahasa Indonesia: Perebutan Makassar dari kekuasaan Gowa oleh kekuatan VOC dan Bone, 1669. Lukisan ini menggambarkan perebutan Makassar oleh VOC bersama sekutunya, yang merupakan babak akhir dari perang antara Kesultanan Gowa yang dipimpin oleh Sultan Hasanuddin melawan VOC yang dikomandoi oleh Laksamana Cornelis Speelman, yang berlangsung di tahun 1666 hingga 1669.
Raden Saleh Syarif Bustaman was born in 1811 in the village of Terboyo, near Semarang on the island of Java in the Dutch East Indies (present-day Indonesia).He was born into a noble Hadhrami family; his father was Sayyid Husen bin Alwi bin Awal bin Yahya, whose family had come to Java via Surat in India in the seventeenth century.
He was born in Tebasaya, Ubud, Bali in 1915. Ida Bagus Made came from a Brahman family of accomplished artists in Tampaksiring, Bali. His Father, Ida Bagus kembeng (1897–1952), was a well-known painter who won the prestigious Silver Medal in 1937 at the International Colonial Art Exposition in Paris.
In the statue found at the National Museum of Indonesia (No. 5136/310d), the statue is depicted with a sturdy body, transverse mustache, and wavy curls, at the top of the head there is a hair tie with a ribbon forming like a tekes hat. He wears clothes and jewelry, bracelets, and an upper armband in the form of a snake-like Bima's.
Ahmad Sadali (24 Juli 1924 – 19 September 1987) [1] comes from a family with diversified batik and printing businesses. He was an Indonesian painter and art lecturer who is well-known for his abstract art, especially Abstract expressionism, and Cubism [2] and Color field painting.
A 4.41 metres tall statue of Bhairava from Padangroco in West Sumatra, believed to be the depiction of King Adityavarman, [18] among the museum's rich collections of Hindu-Buddhist artifacts of ancient Indonesia. The National Museum of Indonesia has the richest and the largest collection of Hindu-Buddhist art of ancient Indonesia.