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The Flammarion engraving is a wood engraving by an unknown artist. Its first documented appearance is in the book L'atmosphère : météorologie populaire ("The Atmosphere: Popular Meteorology"), published in 1888 by the French astronomer and writer Camille Flammarion .
Nicolas Camille Flammarion FRAS [1] (French: [nikɔla kamij flamaʁjɔ̃]; 26 February 1842 – 3 June 1925) was a French astronomer and author. He was a prolific author of more than fifty titles, including popular science works about astronomy, several notable early science fiction novels, and works on psychical research and related topics.
Paysage opens the cycle with a straight perfect cadence to the tonic D-flat, downgrading what textbooks would tell us should be reserved for a more conclusive moment. Paysage is riddled with rhythmic and harmonic games, not least the absence throughout of a single clear four-bar phrase; the piece's opening section, all in three-bar phrases ...
Ernest Flammarion successfully launched his family publishing venture in 1875 with the Treaty of Popular Astronomy of his brother, the astronomer Camille Flammarion.The firm published Émile Zola, Maupassant, and Jules Renard, as well as Hector Malot, Colette, and a wide list of medical, scientific, geographical, historical works, and various autobiographies, including also the Père Castor ...
Sylvie Pétiaux (née, Pétiaux-Hugo; after first marriage, Mathieu; after second marriage, Flammarion; pen name, Sylvio Hugo; November 28, 1836 – February 23, 1919) was a French feminist and pacifist. She was the wife of the astronomer, Camille Flammarion, and collaborator with him in much of his astronomical work. [1]
César Franck's Piano Quintet in F minor is a quintet for piano, 2 violins, viola, and cello. The work was composed in 1879 and has been described as one of Franck's chief achievements alongside his other late works such as Symphony in D minor , the Symphonic Variations , the String Quartet , and the Violin Sonata .
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death.. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
The piece follows the traditional form of three movements but allows for more freedom in tempo markings. Normally, the first movement is fast-paced, while the second is slower, but the first movement here is slow and the second movement has a scherzo-like quality, resulting in a form resembling a typical four-movement symphony but lacking the first movement (a form also represented by ...