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The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
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Postdramatic theatre, thus, strives to produce an effect amongst the spectators rather than to remain true to the text. Lehmann locates what he calls 'the new theatre' as part of 'a simultaneous and multi-perspectival form of perceiving'; this, he argues is brought about, in large part, by a reaction to the dominance of the written text.
About 3 decades later, Horace Hayman Wilson published the first major English survey of Sanskrit drama, including 6 full translations (Mṛcchakatika, Vikramōrvaśīyam, Uttararamacarita, Malatimadhava, Mudrarakshasa, and Ratnavali).
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Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
Dramatic Romances and Lyrics is a collection of English poems by Robert Browning, first published in 1845 in London, as the seventh volume in a series of self-published books entitled Bells and Pomegranates.
The subject matter of Thunderstorm is the disastrous effects of rigid traditionalism and hypocrisy on the wealthy, modern, somewhat Westernized Zhou family. [1] Specifically, the plot of Thunderstorm centers on the Zhou family's psychological and physical destruction as a result of incest and oppression, caused by its morally depraved and corrupt patriarch, Zhou Puyuan, a wealthy businessman.