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Hollywood Chinese, a 2007 documentary film about the portrayals of Chinese men and women in Hollywood productions "Yellowface: Asians on White Screens", by Yayoi Lena Winfrey, IM Diversity.com "A Certain Slant" by Robert B. Ito, Bright Lights Film Journal "Monitoring Asians in the American mass media" at Asian American Media Watch
An epicanthic fold or epicanthus [6] is a skin fold of the upper eyelid that covers the inner corner (medial canthus) of the eye. [3] However, variation occurs in the nature of this feature and the possession of "partial epicanthic folds" or "slight epicanthic folds" is noted in the relevant literature.
The aurofacial asymmetry is defined as the position of the face (mouth, nose and eyes) with respect to the mid plane of the axis through the ears. The asymmetry is expressed as an angle ( degrees ), i.e. by how many degrees facial landmarks (e.g. tip of the nose) or pairs of landmarks (e.g. inner corners of the eyes ( endocanthions are rotated ...
Your eye color could mean way more than a simple genetic pigmentation.
The Slanted Screen is a 2006 documentary film written, produced, and directed by Jeff Adachi which examines the stereotypical portrayals and absence of East Asian males in the cinema of the United States. The film analyzes Hollywood from the silent era to the 21st century. [1]
East Asian men have been portrayed as threats to white women by white men in many aspects of American media. [113] Depictions of East Asian men as "lascivious and predatory" were common at the turn of the 20th century. [114] Fears of "white slavery" were promulgated in both dime store novels and melodramatic films.
Diverse eyes are known from the Burgess shale of the Middle Cambrian, and from the slightly older Emu Bay Shale. [2] Eyes vary in their visual acuity, the range of wavelengths they can detect, their sensitivity in no light, their ability to detect motion or to resolve objects, and whether they can discriminate colours.
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