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Circle Limit III is a woodcut made in 1959 by Dutch artist M. C. Escher, in which "strings of fish shoot up like rockets from infinitely far away" and then "fall back again whence they came". [1] It is one of a series of four woodcuts by Escher depicting ideas from hyperbolic geometry. Dutch physicist and mathematician Bruno Ernst called it ...
The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal.
Johann Theodor de Bry En (later in Germany, also publisher); Jan Van Calcar Wo; Hieronymus Cock En, Et, Publisher; Hans Collaert En, son of Adriaen; Cornelis Cort En; Philippe Galle En, Publisher, and his heirs, including Adriaen Collaert.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Sky and Water I is a woodcut print by the Dutch artist M. C. Escher first printed in June 1938. The basis of this print is a regular division of the plane consisting of birds and fish. Both prints have the horizontal series of these elements—fitting into each other like the pieces of a jigsaw puzzle—in the middle, transitional portion of ...
Woodblock print artist of the shin hanga movement Kuroda Seiki: 1866–1924 Painter who introduced impressionism to Japan Kume Keiichiro: 1866–1934 Impressionist painter trained in France Okada Saburōsuke: 1869–1939 Painter, mostly in the Yōga style, and art professor Toyozo Arakawa: 1874–1985 Well-known ceramic painter Ito Yuhan: 1882-1951