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During the late Edo period (1603–1868) the troupe faced difficulties and started to lose vitality, and during the Bakumatsu and the period of the Meiji Restoration in the late 19th century, many of the noh masks and other properties of the Konparu family were sold throughout Japan. [2] In around 1868 this set of masks together with some other ...
The hannya (般若) is a mask used in a traditional Japanese Noh theater, representing a jealous female demon. It is characterized by two sharp bull-like horns, metallic eyes, and a leering mouth. [1] In Noh plays, the type of mask changes according to the degree of jealousy, resentment, and anger of the female characters.
Pages in category "1900s in Japan" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. 0–9. 1900 in Japan;
In some parts of north eastern Japan, Hyottoko is regarded as the god of fire. There is a well known folk story in the form of music, izumoyasugibushi (出雲安来節) where a fisherman dances with a bamboo basket, having the same visual expression as the mask of Hyottoko. During this dance, a person puts five yen coins on their nose.
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
A Noh mask depicting a jealous female demon, characterized by its horns, metallic eyes, and fearsome expression. Used in plays about transformed women. Harukoma by Utagawa Kunisada, 1862 Harukoma A traditional Japanese dance (春駒, "spring horse") where performers use handheld horse-head props to depict playful horses. Hatsubutai