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Absurdism is the philosophical thesis that life, or the world in general, is absurd. There is wide agreement that the term "absurd" implies a lack of meaning or purpose but there is also significant dispute concerning its exact definition and various versions have been suggested.
Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
Reductio ad absurdum, painting by John Pettie exhibited at the Royal Academy in 1884. In logic, reductio ad absurdum (Latin for "reduction to absurdity"), also known as argumentum ad absurdum (Latin for "argument to absurdity") or apagogical argument, is the form of argument that attempts to establish a claim by showing that the opposite scenario would lead to absurdity or contradiction.
On the other hand, Camus focused most of his philosophy around existential questions. The absurdity of life and that it inevitably ends in death is highlighted in his acts. His belief was that the absurd – life being void of meaning, or man's inability to know that meaning if it were to exist – was something that man should embrace.
[19] [20] Therefore, absurdism, a philosophy most famously associated (posthumously) with Albert Camus, is the belief that the universe is irrational and meaningless, alongside theorizing about the human struggle to create meaning. [21] Due to the absurd, seeking purpose or meaning in an uncaring world without purpose or meaning may be regarded ...
Avant-Garde, Theatre of the Absurd Eugène Ionesco ( / j oʊ ˈ n ɛ s k oʊ / ; French: [øʒɛn jɔnɛsko] ; born Eugen Ionescu , Romanian: [e.uˈdʒen joˈnesku] ⓘ ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the ...
The absurd lies in the juxtaposition between the fundamental human need to attribute meaning to life and the "unreasonable silence" of the universe in response. [1] Camus claims that the realization of the absurd does not justify suicide, and instead requires "revolt". He then outlines several approaches to the absurd life.