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Title Director Cast Genre Notes 1940: 21 Days: Basil Dean: Vivien Leigh, Laurence Olivier, Leslie Banks: Drama: Filmed in 1937 All at Sea: Herbert Smith: Sandy Powell, Kay Walsh, John Warwick
The Netflix series Roman Empire has an episode on Caesar and his war against Spartacus in Season 2 episode 1. Stealing a Nation: 2004: Recounts the experiences of the people of the Chagos Islands in the Indian Ocean by the establishment of an American military base. Video: Tamango: 1958: A slave ship crosses the Atlantic, and the slaves rebel.
Pages in category "1940s in British cinema" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. B.
List of films featuring slavery; List of films that depict class struggle; List of hood films; List of skinhead films; Political cinema; Racism in horror films; Whitewashing in film; Propaganda film; Racism in early American film; Race movie; Blaxploitation; L.A. Rebellion; Antisemitism; White supremacy; Genocide; Hate crime; Civil rights ...
This is a chronological list of films produced in the United Kingdom split by decade. There may be an overlap, particularly between British and American films which are sometimes co-produced; the list should attempt to document films which are either British produced or strongly associated with British culture.
The Chinese Bungalow (1940 film) Christmas Under Fire; Christopher Columbus (1949 film) Code of Scotland Yard; Colonel Bogey (film) The Common Touch; Conspirator (1949 film) Convoy (1940 film) Corridor of Mirrors (film) Counterblast; The Courtneys of Curzon Street; Crimes at the Dark House; Crook's Tour; Cup-tie Honeymoon; The Cure for Love ...
The Man in Grey is a 1943 British melodrama film made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery ...
During the mid-1940s, with many of the men fighting in the Second World War, and many of the children evacuated to rural areas, women attained more financial responsibility and independence by having to work, and Gainsborough Pictures took advantage of this by providing films with powerful images of female independence and rebellion that resonated deeply with audiences.