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  2. Mahavir Janma Kalyanak - Wikipedia

    en.wikipedia.org/wiki/Mahavir_Janma_Kalyanak

    Murti of Mahavira at his birthplace, Kshatriyakund (Shvetambara tradition), in Bihar. According to Jain texts, Mahavira was born on the thirteenth day of the bright half of the moon in the month of Chaitra in the year 599 BCE (Chaitra Sud 13). [2] [3] According to Shvetambara tradition, he was born in Kshatriyakund of Bihar. Some modern ...

  3. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Ninth augmented fifth chord [2] [4] Play ⓘ 5-33: 0 4 8 t 2: Augmented Ninth flat fifth chord [2] Play ⓘ 5-33: 0 4 6 t 2: M3+b5 Northern lights chord: Play ⓘ 11 ...

  5. Murti - Wikipedia

    en.wikipedia.org/wiki/Murti

    In the Hindu tradition, a murti (Sanskrit: मूर्ति, romanized: mūrti, lit. ' form, embodiment, or solid object ') [1] is a devotional image, such as a statue or icon, of a deity or saint [2] used during puja and/or in other customary forms of actively expressing devotion or reverence - whether at Hindu temples or shrines.

  6. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    The usual parallel chord in a major key is a minor third below the root and the counter parallel is a major third above. In a minor key the intervals are reversed: the tonic parallel (e.g. Eb in Cm) is a minor third above, and the counter parallel (e.g. Ab in Cm) is a major third below.

  7. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).

  8. Murtipujaka - Wikipedia

    en.wikipedia.org/wiki/Murtipujaka

    [2] Bhadraṅkaravijaya also argued that given the current cosmic age, laity can't contemplate the Tīrthaṅkaras without the assistance of some mental prop or image. Thus, a key element of the Mūrtipūjaka response to the controversy of image worship is to view images as a tool to develop better spiritual practices , especially amongst the ...

  9. Dominant seventh sharp ninth chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_sharp...

    In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.