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They regrouped in February the following year [5] and recorded the songs on the album mostly live onto 8-track tape. The highlight of the sessions was a fourteen-minute jazz-rock piece assembled from various sections contributed by the band, called "Can't Be Long Now" (listed as "For Richard" in the 1973 live album Caravan and the New Symphonia ...
Caravan had started to build a live following by mid-1970, including an appearance at the Kralingen Pop Festival in the Netherlands to an audience of 250,000 and the 10th Plumpton Festival. In autumn 1970, Caravan began working on one of their most critically acclaimed albums, In the Land of Grey and Pink (1971). The balance of songwriting ...
Caravan, Netherlands, 2005 Teardrop trailers A caravan, travel trailer, camper, tourer or camper trailer is a trailer towed behind a road vehicle to provide a place to sleep which is more comfortable and protected than a tent (although there are fold-down trailer tents).
"Caravan - Ether Way: BBC Sessions 1975-77 music reviews and MP3". www.ProgArchives.com Retrieved 16 August 2009 . Caravan - Ether Way: BBC Sessions 1975-77 album credits & releases at AllMusic.com
"Caravan" is an American jazz standard by Juan Tizol and Duke Ellington, first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song has regained popularity since being featured prominently in the 2014 film Whiplash .
Caravan - BBC Radio 1 Live in Concert album review by Bruce Eder, credits & releases at AllMusic.com; Caravan - BBC Radio 1 Live in Concert album releases & credits at Discogs.com; Caravan - BBC Radio 1 Live in Concert album credits & user reviews at ProgArchives.com
Julian Frederick Gordon 'Pye' Hastings (born 21 January 1947) [1] is a British musician. Born in Scotland and raised in Canterbury, Kent, he is the guitarist and vocalist of the Canterbury scene band Caravan and brother of Jimmy Hastings.
In his book, Songbook, about his 31 favourite songs, Nick Hornby names "Caravan" from the live album, It's Too Late to Stop Now as the song he wants played at his funeral. . He writes that "in the long, vamped passage right before the climax Morrison's band seems to isolate a moment somewhere between life and its aftermath, a big, baroque entrance hall of a place where you can stop and think ...