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Despite the terminology, Morris dancing is hardly ever competitive. A set (which can also be referred to as a side) is a number of dancers in a particular arrangement for a dance. Most Cotswold Morris dances are danced in a rectangular set of six dancers, and most Northwest dances in a rectangular set of eight; but there are many exceptions.
William "Merry" Kimber (8 September 1872 – 26 December 1961), was an English Anglo concertina player and Morris dancer who played a key role in the twentieth century revival of Morris Dancing, a form of traditional English folk dancing. He was famous both for his concertina playing and for his fine, upright dancing, such that in his day he ...
Margaret Morris (10 March 1891 – 29 February 1980) was a British dancer, choreographer, artist and teacher. She founded the Margaret Morris Movement, Celtic Ballet and two Scottish National Ballets in Glasgow (1947) and in Pitlochry (1960). [1] Morris devised a system of movement notation, which was first published in 1928.
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Henry Rolf Gardiner (5 November 1902 – 26 November 1971) was an English rural revivalist who helped to bring back folk dance styles including Morris dancing and sword dancing. He also founded groups significant in the British history of organic farming ; his forestry methods were far ahead of their time and he was a founder member of the Soil ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Silurian Border Morris Men dancing Black Ladies Aston, at Saddleworth Rushcart, August 2013. The Leominster Morris [8] were reformed in 1988, split from The Breinton Morris (who disbanded after a further ten years.) Through contact with E.C. Cawte, with reference to notes made in Leominster, his talking with former dancer, Tom Postons, and his ...
Silurian Border Morris Men, at Saddleworth Rushcart, August 2013. Multiple theories exist about the origins of the theatrical practice of blackface as a caricature of black people. One interpretation is that it can be traced back to traditions connected with Morris dancing. Another interpretation is that traditionally the use of soot to blacken ...