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The two main musical styles of Peking opera, Xipi and Erhuang, originally differed in subtle ways. In the Xipi style, the strings of the jinghu are tuned to the keys of A and D. The melodies in this style are very disjointed, possibly reflecting the style's derivation from the high and loud melodies of the Qinqiang opera of northwestern China.
Shengqiang (simplified Chinese: 声腔; traditional Chinese: 聲腔; lit. 'vocal tune') is a concept in Chinese opera which helps to categorize its hundreds of regional genres by the music played during arias. Classifying by the music, as opposed to the regional dialect, also helps to understand a genre's evolutionary history.
There are over a hundred regional branches of traditional Chinese opera today. In the 20th century, the Peking opera emerged in popularity and has come to known as the "national theatre" of China, [5] but other genres like Yue opera, Cantonese opera, Yu opera, kunqu, qinqiang, Huangmei opera, pingju, and Sichuan opera are also performed ...
Peking opera inherited many stories form Kunqu opera, but other styles of opera, such as the Clapper opera, which were popular with the common people had greater influence on its development. Teahouses which sprang up in Beijing staged Peking operas. The popularity of Kunqu, referred to as Yabu (雅部, "elegant drama"), declined as it came ...
The China National Peking Opera Company has visited over 50 countries, such as the United States, Japan, Germany, France, Italy, Hungary, Greece, Romania, the UK, Australia, and the former Soviet Union, [2] and is a frequent performer at the Kennedy Center for the Performing Arts since its debut at the Kennedy Center 25 years ago and has been ...
Tuma Tiao was created by Shao Chiang-hai based on the foundation of Taiwanese opera Chinko, Tsanien Tiao, and Tsasui Tiao, incorporating elements from Peking opera, Paitsu opera, and local folk melodies. This resulted in a new singing style and tune known as Kailiang Tiao (the improved tune).
Maoqiang opera has a history of about 200 years and has incorporated local folk songs and dances from the region. [1] Musical instruments used include drum, cymbal, gong, jinghu, suona, flute, and sheng. [1] The main roles are shared with Peking opera: sheng (生, main male roles), dan (旦, female roles), and chou (丑, male clown). [1]
As it spread throughout the empire, it absorbed regional music styles and topolects and eventually evolved into different local genres, [1] among them kunqu. [2] Of the 2000 plus titles recorded in history, over 600 chuanqi plays are extant and are still performed today, including The Peony Pavilion by Tang Xianzu , The Palace of Eternal Life ...