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In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness , the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall ...
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
Cedalion standing on the shoulders of Orion; detail from Blind Orion Searching for the Rising Sun by Nicolas Poussin, 1658, Oil on canvas; 46 7/8 x 72 in. (119.1 x 182.9 cm), Metropolitan Museum of Art. In Greek mythology, Cedalion or Kedalion (Classical Greek Κηδαλίων) was a servant of Hephaestus in Lemnos.
Key: The names of the generally accepted Olympians [11] are given in bold font.. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background.
In Greek mythology, Pandora [A] was the first human woman created by Hephaestus on the instructions of Zeus. [ 2 ] [ 3 ] As Hesiod related it, each god cooperated by giving her unique gifts. Her other name—inscribed against her figure on a white-ground kylix in the British Museum [ 4 ] —is Anesidora ( Ancient Greek : Ἀνησιδώρα ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The Sintians worshipped Hephaestus. They are mentioned in Homer : in the Iliad [ 7 ] as the folk who had tended Hephaestus in Lemnos after the lame smith god was let fall to earth; the Sintians "of wild speech" (ἀγριόφωνοι agriophonoi ) also appear in the Odyssey ; [ 8 ] in the tradition reported by Homer it was understood by their ...
Despite the Charites usually being depicted nude entwined in a "closed symmetrical group" for the last two millennia, this was a later development, as in depictions from Archaic and Classical Greece, they are finely dressed, [1] [18] and usually shown in a line, as dancers.